web graphic design certificate

web graphic design certificate

one of the first questions you’ll need toaddress when you begin to create a website is which colors to choose for the design. not surprisingly, a website’s color paletteis one of the first things that site visitors notice, which is why it has such a fundamentalpart in the overall design process. colors influence a website’s look and style,but also play a significant role in that site’s performance. in other words, the colors you choose foryour website can impact its success in terms of visit duration, returning users, clickrates, or sales. so how do we proceed with choosing the perfectcolors for a professional website?

this is where color theory comes into play. color theory is an important concept in artand design. at the heart of color theory is the colorwheel. i’m sure you’ve seen it before. it looks like this. [show in vg] the color wheel is an illustrated organizationof colors, based on the relationship between them. the base of the wheel is comprised of thethree primary colors – red, blue and yellow.

added between those are the secondary colors– green, orange and purple. in the elementary color wheel, which has 12colors, the additional six tertiary colors are added, formed as a mix of the primaryand secondary ones – yellow-green, green-blue, blue-purple, purple-red, red-orange, orange-yellow. also common is the 24 hues color wheel, whichhas a more elaborate breakdown. the color wheel is divided into two generalcategories: warm colors, which revolve around yellow, orange and red – including mostbrown hues – and on the opposite side are the cool colors, revolving around blue, greenand purple – including most gray hues. there’s no right or wrong in choosing warmor cool colors.

the choice depends on the effect you wantto achieve. warm colors are considered to be stimulating,and convey action and vitality. cool colors, on the other hand, are consideredto be tranquil, and have a calming effect. whether you choose to work only with coolor warm colors depends on your brand identity and on the atmosphere you want to create onyour site. of course, combining warm with cool is alsoa possibility. successful color combinations follow a setof color schemes, most of which are based on the position of the colors on the wheelitself. for instance:complementary scheme: this formula takes two

colors that are positioned exactly oppositefrom each other on the color wheel, like red with green, or yellow and purple. using two contrasting colors together makesyour design more lively. to create a full scheme, add a neutral colorto the complementary duo. beige, light browns, light grays, black orwhite. analogous scheme: in this formula, you’lluse three colors that are adjacent to each other on the wheel, like orange, yellow-orangeand yellow, or purple, purple-blue and blue. any three colors that sit next to each onthe wheel harmonize well, because of their closeness.

color triad: ready to use some geometry? the color triad scheme takes any three colorson the wheel that are of an equal distance from each other, forming a perfect equilateraltriangle. possible combinations would be yellow-green,orange-red and purple-blue, or yellow-orange, red-purple and blue-green. this scheme tends to be very vibrant. you’ll want to create a balance where oneof the colors dominates, and the other two are supporting colors. split complementary scheme: with this formula,start by choosing one color, and adding the

two colors that sit right next to its complementarycolor (creating an isosceles triangle). possible combinations here would be red, yellow-greenand blue-green, or purple, yellow-orange and yellow-green. this scheme offers a refined contrast, onethat isn’t quite so bold as the regular complementary one. tetradic scheme: here you will be forminga scheme from two pairs of complementary colors, making a rectangle on your wheel. for instance, you could combine yellow-orange,yellow-green, blue-purple and red-purple. this scheme is particularly rich.

you don’t want color-chaos on your website,so pick one color to set the tone, and the rest to add a nuance. monochromatic scheme: as the name implies,this scheme utilizes different hues of the same color. you could use a wide spectrum that includesthe darkest and lightest hues of that color or narrow it down by using the tones aroundeither the dark or the light area. monochromatic color schemes have a clean andminimalist visual impact. achromatic scheme: your classic black andwhite, possibly accompanied by gray (but not as the dominant color).

and there you have it. a quick look at color theory and how you canuse colors in different ways to design your website. thanks for watching! bye for now.

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web designer experience certificate format

hello there, welcome to this video! let's see all the basic features you need to know to use coreldraw x8 when starting for the first time! please write comments below to improve our next videos! when opening coreldraw, your workspace opens on the welcome screen tab that can be useful to get started. let's just start with a new document. click on the new button on top. its dialog box appears, showing several options for new documents, like name, size, number of pages, and other advanced options. for example, in size, you can choose the basic format between several standards, in order to fit you document with tablets,

letters and printers. by choosing the format, you will automatically fix both width and height under rendering resolution. decide on the number of pixels to be used for your document: the more it is, the better the quality will be. then, just go to ok. your workspace is composed by several parts: on top, you have the menu bar and the standard toolbar, that collect all features inside coreldraw. a little below, there's the property bar, used to edit tools and objects. on the far left, you have the toolbox, which is a full list of the quickest and most useful tools. in the center, a detailed preview of

your document in progress and, on the far right, you have several panels that we will see through this guide. especially when starting for the first time, take a look at the hints panel on the right. this is quite useful, since it describes how a selected tool works. if you close any panel by mistake, you can reopen it going to window on top and then to dockers, clicking on the missing panel in the list. let's draw a freehand line. enable the freehand tool from the toolbox, and click and drag on your document. this creates an object on your

document. you can use your mouse wheel to zoom in and out of your document or press the h key from your keyboard to enable the pen tool and check your document carefully. the toolbox is composed by several important tools divided in different sections. some of these buttons do show a black arrow in a corner that means that, under the button, and there are more tools hidden inside. to show them all, simply click and hold and release your click when you hover on the tool you want to select. before starting drawing, it is important to set all coreldraw features

that may help you to draw correctly. all these can be enabled and disabled from the standard toolbar on top. the first icon is related to the rules, which are placed on top and on the left of your workspace. the second one applies grids on your workspace. while the third one on the guidelines, which are lines used to help you drawing along a straight direction. to add one, click and hold on starting from a shown ruler. among these, you can also get help from the snappings. you can enable and disable any kind of snapping going to snap to, on top. you can use

snapping to grids, guidelines and objects. these are used to draw precisely, in a very easy way. if you enable snappings to objects, your pointer will snap to several object key points when you are using any drawing tool. object edges and vertices are represented through squares; midpoints through triangles, and centers through a circle. basically there are three main things you can create with coreldraw. create custom drawings, retouch images and photos and create text documents.

to create your drawings, you can use all tools in the third section of the toolbox. this creates lines and shapes called vectors. the freehand tool creates custom drawings, just click and drag. you can also draw straight lines by clicking twice on your workspace. the 2-point line tool draws straight-line segments, just click and drag. polyline is just like the freehand tool, except that you will go on drawing consecutive lines sharing the same last node. click and hold on to draw freehand, or click twice to fix a straight segment. double-click

on the last fixed node to finish drawing, or simply close the path. to make more complex lines and curves you can use the bã©zier, the pen, and the b-spline tool. we will see these through this guide. you can use the 3-point curve tool to create simple arcs on your document. click and drag to fix the first two points and then release your click to shape your arc as you like. just click again to draw the arc. use artistic media tool to draw freehand with a nice line style. to draw closed paths, you can use the rectangle and the ellipse tools,

just click and drag. to draw polygons and special shapes, you can use the last tool in the drawing section. depending on the tool used you can edit the line properties through the property bar on top, changing thickness, line style, endpoints and so on. in case you make a mistake, you can use ctrl+z to undo your latest action. to delete an object, enable the pick tool on the far left, and click on the object to select it. then, use the delete key to remove it.

inside coreldraw, you can also import and edit images. all you have to do is click and drag your image directly on your opened coreldraw document. these are called bitmap files. to edit and adjust your image, select it with the pick tool, and then go to the bitmaps tab in the menu bar, above. for example, you can use image adjustment lab to correct the lightness, contrast and color. you can go to straighten image to adjust perspective, rotation and lens. plus, from 3d effects onward, you can apply nice effects on your image. use ctrl+z if you want to come back to the original setting.

to learn more about how to edit and correct your images check out our related video through this guide. vectors and bitmap files are both objects drawn inside to document and can be managed and edited in the same way. select an object first by using the pick tool. several nodes will appear on it. use the nodes around to scale. click and drag to move the object inside your document. if you click once more on the object, you can skew using the double arrows and rotate the object using the double curved arrows in the corners. you can also edit the rotation point by moving

the central circle. above, through the property bar on top, you can edit other important properties, like line style and thickness for vector files. on both vectors and bitmaps you can also manage their position precisely by changing the x and y coordinates on the far left. you can also adjust size and rotation. just type in, and use enter to apply. more on the right, use the mirror buttons to flip the object. to cut, copy and paste a selected object, just use ctrl+x, ctrl+c and ctrl+v with your keyboard.

to adjust more about outline and fill, you can go to the object properties panel on the far right. you can also quickly move or copy an object by right-clicking on it and dragging it. then, just use move or copy here. in case you want to lock the object just right-click and go to lock object. in this way, until you unlock it, you won't be able to move or size it. to edit more than a single object in the same way, you can enable the pick tool and select all of them together before editing. to select more

objects together, click on each object while holding shift down. use the escape key to undo all selections instead. if you want to remove just parts of a vector file or an image just select it first and enable the eraser tool. this removes all that falls within the eraser circle. you can click and drag to erase freehand or click twice to erase following a straight direction. if you erase a closed path, its contours will be updated, but you will always have a single object. you can adjust the circle radius from the property bar on top.

remember that the eraser tool does not work on the artistic media traces. in case you need to adjust the contours of a bitmap file, you can use the shape tool instead of the eraser. just drag the corner nodes or the sides. you can also double-click on a side to add a new node to personalize the contour. coreldraw also has several tools to apply special effects. for example, inside the second button of the toolbox, you can use several tools to apply effects on vector objects and bitmap sides. just select the object first and then click and drag. use the property bar on top to customize

the effect of the tool. more below, on the toolbox, you have other advanced effects. for example to add shadow and transparency. check out our full guide to know how to apply advanced effects. coreldraw is also used to create text documents. to drop text, enable the text tool and click and drag to create a text area, indicated by a dashed contour. this is used to contain all your text inside, in order to manage it easily. remember to make the contour big enough or part of the text you type will be hidden. in these cases, the contour will be

shown in a red color. you can enlarge such contour by dragging the black and the white nodes. the text paragraph is edited in the same way seen for vectors and images. double-click inside to type in it, click and drag to move. through the property bar on top, adjust the text style, font, size and distribution. also use the object properties panel for more advanced properties. in case you have objects that do overlap, for example a piece of text below an object, you can use the object manager panel. find the text object in the list, and click and drag to pull it above the object that

covers it. when your document is finished, save it going to file and then to save as... these documents can be saved in several formats, in order to be compatible with many other software products. if you choose the .cdr format you will be able to open and edit your document and a later session of coreldraw by going to file and then to open. thanks for watching this video! check out our full guide to become advanced with coreldraw x8!

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web design graduate certificate

[music plays throughout] [bernie monette]uh, behind me are all the students from humber's web development program, which is an ontario post-graduate certificate. and it's our annual show, where the studentsget to show off their work to people from the industry. [brittany]we're all showcasing the works that we've made throughout the year,um, so far.

and then,we've also made the portfolio websites that these other projects will be featured on. our final project,which is our portfolio, which shows all of our other projects, i really went with a strategy of, of showing a lot of visuals. i kept the designvery, very simple and tried to keep it consistent with my resume and business cards, just so that i'd have some consistency and... and brand myself. [mila] this is the stage when, uh,we have something to demonstrate.

we are proud of our results. and we knowthat we can be noticed by someone, and it's a great, um, opportunity for us to meet someone here. and we were struggling a lot, and it w- it was even a little bit stressful, but it was worth it because now we're really good at web development. [ian] what i have to sayi enjoyed the most about this program is the fact that i came inknowing absolutely nothing

about the- how to build a website, and it kinda taught me,at a very gradual level, how to eventually get to where i am right now, which is hoping to eventually break in to the,the web development career path, which is pretty fantastic if you think about it after a year. i would say companies right now are looking for very common things, except more specific to what a developer is. so the teamwork skills,

being able to communicate your ideas thoroughly. the biggest one in this industry is actually the ability to just learn on your own. they need to know that you're able to do it as you're going, and you can keep up with the, the trends. [bernie]between 70 or 80 percent of our grads are working full-time as web developers,uh, within three months of graduating. what we hear back is that,you know, they're... the employers are able to give them work,

work that they might nothave been trained on, but they're able to take the skillsand the attitudes they've, they've learned at humberand that they've brought themselves and be able to succeed really well in the companies that they're working for. so the jobs students are gettingwhen they graduate are, these days,primarily is called front end jobs. so they're building out the,the front end interface that takes the informationfrom the database

and displays it on the screen. so it's within this realmthat we see the, the responsive design showing up, so that the design, you know,reacts to the, the size of the device that the, uh, visitor is using. or if the visitor is someone with a disability, that they cancontinue to use the device and have a great user experience,regardless of their situation. [phil]definitely every company

is looking for a website that looks goodon a mobile device, whereas maybe five years ago,that wasn't that big a deal. i think 2014 was the first year that mobile traffic actually exceeded, uh, desktop traffic. so that means more people were checking web pages on their phones. so i think that's probably the biggest thing. and that's already happening,if not, has happened already. i picked humber because i,i live in toronto, and it seemed like the best option for me in this area,

uh, for that kind of a program. [music fades out]

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welcome everyone! it's jennifer. today's videois a little bit different in that i want to show you 5 different ways to add gold foilto your projects. gold foil is all the rage and there's a lot of great new products comingout. in this video i'm just going to touch on 5 different ways i've had success addinggold foil. so very quickly show you each of them. however, over the next few weeks, ifyou stay tune to my youtube channel i'll be showing cards using all of these techniques.i like some of them better than others and i'll be honest about those throughout thisvideo today. so we are going to go through all 5 ways. but first let me show you thefoil that i'll be using. i'm using deco foil from therm o web. that is what you see herein the tubes. there's a lot of it in these

little bottles. this stuff is very thin sothere is a lot in there. it comes in a lot of great colors. i'm going to use the goldfor today's video. but keep in mind that there are lots of different shiny colors you canuse. ranger also sells some foil sheets. there's less in a package. you can see their smallerhere. i've had pretty decent success with these too. so there are a few options outthere. the foil itself is very thin. so on one side it has the shiny color and on theother side it's like a matte silver. whenever you're using this you want to make sure thatthe shiny colored side is facing up. which you will see me do a lot in this video. soi'm going to go through all 5 of the techniques that i wanted to share today. i'm saving myfavorite for last. so you guys be sure to

stick around for that. first i'm going totalk about using foil with stamps. now i recommend when you using the stamps, use stamps thatare kind of forgiving. like this bird image from hero arts. it doesn't have a ton of solidarea and it's kind of sketchy. i don't know, it worked really well with this image andyou just want to play around with what stamps you may have. so i have just regular whitecard stock for all of these projects. you can use anything you want. to apply the foilin this case i'm using a product called flitterglu. i found out about this from the sweet folksover at simon says stamp. this is great for using gold flakes and it works pretty wellwith golf foil too. so what i do is i squeeze a bunch of it on my craft sheet or my worksurface. then i take a clean ink blend tool

with foam and i absorb all of that glue upinto the foam. you can it just kind of sucked it up. now i have basically like a littleminiature ink pad with the glue in it. if you don't have an ink blending tool like thatwith the foam you could use a make-up applicator. so now i'm just going to just kind of dabthis on to my stamp. you can see i make sure that it is covered completely. this stuffis very sticky. i'm just going to stamp this onto my paper. then immediately clean offthis stamp. i think they recommend dunking your stamp in water to make sure that it comesoff. whatever you do you want to make sure you clean it off. so now i'm laying the foildown with the silver side down. the gold side up. i'm just kind of pressing there. you cansee that it's sticking there on to the glue.

now i find that i get best results if i flipit over and use my bone folder to really rub that into place. just to kind of stick itthere so it doesn't shift when we do our next step. so i'm making sure that i press allaround. now i'm going to flip it over and do the same directly on the foil. you cansee i'm kind of pulling all in the same direction. you can start to notice that it kind of transferson to the adhesive that we stamped in place. you can see your image kind of popping up.so i'm just rubbing right across. this foil is pretty tough. it can handle the pressurethat we're putting on. check it out. you see all the foil transfer on to our image. itis just beautiful. now i would recommend playing around with different stamps and see whichones work best for you. you can use that glue

on your clear stamps if you clean it off rightaway. check out that pretty shine you get. it's not perfectly smooth because you usedan adhesive to apply the foil. but it is just beautiful and a lot shiner than you wouldget with heat embossing. check it out. you can use the negative space of your foil onanother project if you want to. just glue it right on to a project i think it wouldbe beautiful. now you can see the gold shine that you can get using your stamps. if you'rewondering about using this technique with other liquid glues, i would encourage youto give it a try. i do know that this flitterglu is very sticky so it does work very well forthis technique, but you could try what you have on hand. next the second technique i'mgoing to show is how you can use your foil

with your dies. i really like this technique.this one's fun. i did it for this large hello you see here. now there are a few a differentproducts you can use to stick your foil in place. i highly recommend this stick it product.this is a newer product. it is super super super thin double sided adhesive that's greatfor die cutting. now you'll see it's so thin you can almost see through it, even with therelease paper of both sides. on one of the sides there are little folds in the releasepaper, so it's easy to kind of peel it off. so i'm going to place that down. so that sidegoes down on to my die cut machine and then i'm going to put my die on top of this. sowe are not actually sticking this to card stock. we are just sending it through ourdie cut machine. with the die as it is coming

out of the package. i love the stick it stuff.so, now we have basically a large sticky die cut here. now, this is thin again, so youwant to be kind of careful when you're doing this. take my die cut out and lay it ontomy work surface. now, since this is so thin here's a trick that makes it so easy to workwith thin die cuts like this. i just take some post-it tape and i just put it rightacross the die cut. this will kind of hold it in place so we can pick it up and moveit around. so i'm just going to rub that right onto there. now i can flip it over and removethe release paper on the back side of our die cut here. you could try this techniquewith any die cuts you have. i wouldn't go super thin, like super detailed die cuts,because the the stick-it product is very thin.

but you can try it with any dies that youmay have. so now i'm going to pick this up and just place it right onto my card wherei want it. you can see how easy it was to pick it up thanks to the post-it tape. nowthis is really important. you want to take your bone folder and really press all of thathello word down. you want that as flat as you can get it on to your card stock. youwant to make sure it's really stuck there. really really really well. then you can goahead and take your post-it tape and pull that off, as you do that it actually willremove the release paper on the other side. so that you can see that release paper comeright off. now we have the word hello there. you can see it just barely, but it's stickyand ready for the foil. i'll take my foil

and put the shiny side up right on to my project.i forgot to trim my foil down before i brought it over. you might want to do that, so youcan kind of conserve your foil. then i'm going to again as always flip it over and rub thefoil in with my bone folder. if you don't have a bone folder anything that has a flatedge that you can rub across it. like maybe a credit card would work for that. now i decidedto trim off that extra and save it for my next project. now i'm going to take the bonefolder right over the area where my die cut is. you can see it starts to transfer. thisis fantastic because you can see through it. you can be sure that the foil has transferredto the whole image before you peel it up. so you're able to tell you've got it all complete.so after you've rubbed it down. this is the

magic. this is like the wow! you peel it upand look how beautiful that is. i just love it. now it is not as smooth of a foil lookas you'll get with my favorite technique, number 5, which i'll show you in a bit. butit is stunning and a lot shinier than you can get with heat embossing. a lot smootherthat heat embossing and it is flat, because that double sided tape is so thin. if youhave other double sided tapes you could try that, by all means, and it should work. ijust like the stick it because it is super thin. think of all the things that you candie cut and create foil backgrounds with or foil words or anything you want. it's a greatway to stretch your dies. so the first technique shows stretching your stamps with foil andthis was with the dies. the next technique

is using your foil with your adhesive or withyour tapes. this is super easy. i think it would be something would be great for a backgroundor kind of a border effect on your projects. so for this i'm using a double sided tapefrom be creative. it comes in all kinds of widths here and i am just going to take thisthin, i think this is a 1/8 of an inch and i'm just going to put stripes across my card.so you could die cut this stuff if you had the big sheets of this be creative, becauseit comes in sheet form. but here i just wanted to show you how easy it was to take any doublesided tape put stripes down on your card and then add the foil to it. if you have a taperunner, you could even put a strip of your adhesive from the tape runner across yourcard and then add the foil to it. i know some

companies have come out with shaped littleadhesive stars and stuff that you can put to your cards and you can use the foil withthose also. so i used my bone folder on the back of the card and now i'm going to thefront. this took a little bit more work to transfer all the foil on to the tape, butyou could see right through it and know that it's transferred. there you have your foilstripes. now these are a little bit raised because of the thickness of the tape, butstill is quite beautiful. it's just something that you can quickly add to your projectsand it doesn't use up much of the foil at all. i encourage you to look around your craftroom, because i bet you have an adhesive that would be fun to use with foil. okay, so thefourth technique is to use foil with stencils.

i was determined to come up with a way touse my foils with my stencils, because i'm also currently addicted to using stencilsthese days. this technique is really fun. so i'm using a new stencil from tim holtz.i just love this flourish stencil. i'm going to tape it onto some white card stock here.by the way i know that some of these techniques with the foils work on fabric, so i encourage you to checkout all the different things you can use the foil on fabrics with also. so i'm just goingto make sure that this is taped well in place. now i am using a spray adhesive over thisstencil to add my foil. i just grabbed this old spray adhesive i have. i don't know ifthey make this particular one anymore, but i would check out any kind of spray adhesivethat you may have and just give it a try and

see if it works for you. so what i did isi took this outside and i gave it a quick spritz to make sure that i covered all theopen area with the spray adhesive. now i ended up trimming my white paper a little shorterbecause i put my thumb right in it and messed it up. so that is why the paper is a littlesmaller here. then i just went ahead and pressed my foil right on to it. it wasn't completelydry and it seemed to be okay. then i again will press it from the back side and theni'll flip it over and rub right on top of the foil itself. i've found that this. youreally want to make sure you rub this well, because it doesn't have as much adhesive asnormal. now, here you'll see that i actually cut this down. the reason i did that is becausei wanted to try running it through my laminator,

which you'll see in technique number 5. buti cut it apart so i could try half of it through the laminator and half just rubbing it onwith a bone folder. you can see you get good results wither way. i think running it throughthe laminator helps to kind of press it into place. the one on the right is done with thelaminator, which i'm going to show you in a moment. check out that cool effect thatyou can get with your stencils also. so the foil is fun because you can use to with yourdies, your stamps and even your stencils. check out the fun shine that you get. so nowwe are on the 5th technique which is by far my favorite. i warn you this seems a littleintimating at first but i promise it isn't so just stick with me here. this is usingfoil with print outs. now to do this you need

to have some sort of laser printer. i havea very inexpensive black and white laser printer here at home. i'll link to the one that iuse. if you don't have a laser printer. if you don't have a laser printer you can takeit to kinko's. you need anything that prints with toner to do this technique. you alsoneed a laminator. now that sounds intimidating. i have a very inexpensive laminator here.this is very inexpensive. i had one for a long time i couldn't find it to be honestwith you so i just bought this new one and it works very well. all you got to do is turnit on and let it heat up and you're ready to go with adding foil. check out how easythis is. just take a piece of typing paper and fold it in half. this is what you kindof send your project through the laminator

with. i have a piece that i printed with mylaser printer. this happens to be my daughters valentine's. again if you don't have a laserprinter, just take this to kinko’s and they can print it and you'll be good to go. youjust need toner for this to work. it is amazing how well it works. i promise i promise. nowi am going to take my foil and i'm just going to put it on top of here face down and runthis through my laminator. it is almost magical. so i'm just going to take this layer righton top. put it inside of my folded piece of paper and put this in the laminator. the laminatorslowly pulls this through. takes just a couple minutes. it slowly pulls it through. putspressure and heat on to it, so you can transfer that foil onto your project. you can see itmoving through. while this moves through i

wanted to show you some other examples i did.check out the detail that i got here. i just printed this background from studio calicoon to some card stock and then put the foil on top. now these cards i'm showing you hereare part of a video that i'll have coming up very soon to show you how much you cando with printing out your own images and running it through s laminator. here's a birthdaycard that i did that has a couple different colors of foil on it. so i think these resultsare so fantastic and so fast to do. so it's definitely worth it to get something printedwith a laser printer and run it through the laminator. okay so i let it cool just fora second, peel it off and check that out. bam! super super awesome! it is smooth ascan be, shiny as can be. definitely the best

results of all of the techniques. so veryfast to do. i did all my daughter's valentine's in 45 minutes this way. now, one thing i reallywant to mention is of all these techniques this one is the most durable. you can scratchand the foil doesn't come off. with all the adhesive techniques that i showed you it doesscratch a little bit if you scratch it like with your fingernail you can scratch the foila little bit. it's not a problem i'll still send cards that way, but you definitely getthe best results using print outs and a laminator. another great thing about this technique ismany companies have free downloads that you can use to just print out and do your foiling.i’ll link to lots of those in the future. now i do want to mention again that i havea lot more to come. i'm going to be showing

lots of videos with techniques using foilover the next few weeks. also, heidi swapp has a product called the mink machine andit is a machine that is used to add foil and it's supposed to be a fantastic machine withlots of perks. as soon as i'm able to get my hands on one i will definitely be showingyou that too. so be sure to stay tuned for that. now if you're interested in any of theproducts i use i link below in my youtube description or you can head over to my blogfor much more information. be sure to subscribe so you can see the foiling videos that i'llbe doing over the next few weeks. thanks again for stopping by and i really appreciate youtaking the time out of your day to spend with me.

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web design experience certificate

web design experience certificate

john: hey, john sonmez from simpleprogrammer.com.i got a question here about nanodegrees. this is something that is a new kind of conceptfrom udacity is where i'm seeing these. this kind of begs a bigger question about likethe online degrees, online kind of programs and the usefulness of them. this questionis from paul and paul says, “hey, john. thanks again for posting all the resourcesand tips that really encourages me. i wanted to get your thoughts on the udacity nanodegrees.there are 3 individuals who have just finished the degree and have obtained jobs, the firstfew that signed up for them all from different life circumstances.” he links to this blogposthere that talks about internships that people are in from these nanodegrees. there’s thearticle.

“the course that udacity offers are free,but the project they guide you through to get the degrees are not. i just want to hearyour thoughts or maybe a video since this could be an option for many. thanks again,paul.” a little bit of background on what these nanodegrees,this udacity thing is. essentially, it’s like an online degree. it’s not like aslarge as a 4-year degree program or anything like that, but it’s a little bit—it’sbasically a certification but maybe a little bit stronger than a certification. udacityallows you to take classes online in software development topics and they’re a littlebit more formalized. they’re sort of like this mix between a hybrid or between a classroomlearning in a totally just online training

type of thing. they’re a little bit morerigid and have projects and whatnot, and it could carry a little bit more credential.i think they’re a good idea. i think that the traditional education system is goingto fail. actually, interestingly enough, someone expressed this better than i could ever expressthis. i was just reading the book antifragile. in the book, the author, he says—someoneasked him. i think they sent an email or sent him a letter and said something about, “whatdo you think about traditional education?” because he’s talking about the fragilityof systems. they wanted to know like what does he think is going to happen with traditionaleducation. he said, “bullshit is fragile.” what that means is basically that he thinksthat the system will collapse because it’s

based on bs, and i totally agree. i thinkall of the academic systems that we have today are complete bs, just the academic societyin general. it’s a lot of bs. when i see things like these online degreeswhere people are actually doing projects and actually accomplishing things and they’renot being reamed for tens of thousands of dollars, so someone with a prestigious titlecan tell them how to think in a very uniform way and be a robot like everyone else, i likethose things. i can’t speak for this program myself because i haven’t gone through thisprogram. i don’t know what it entails. i don’t know what degree. i can just say,in general, online education is good because it puts more the focus on learning things,on actual doing rather than getting just some

knowledge in your head or just making it througha thing, right? they key thing is always going to come downto this and i'm always going to say this. i'm always going to say this to my blog post,is that you need to actually do and learn, right? it doesn’t matter if you get a degree.it doesn’t matter if you get a certification. none of that stuff matters. what matters iswhen you sit in front of a computer, if you’re trying a job as a computer programmer, canyou program? can you do it? can you think? specifically, i would ask, “do you knowhow to teach yourself to self-educate to be able to improve your skills on your own ordo you need someone to spoon-feed you information?” if you need someone to spoon-feed you information,you’re going to be in trouble because whatever

i spoon-feed you today is not going to begood for tomorrow, right? you’re going to have figure out how you develop and learnyour own skills. how do you develop yourself and continuously improve yourself over time?all that is basically to say, yes, i like this. i don’t know about this exact degreeprogram, but i like this idea. i like the idea of breaking out traditional education.i like the idea of getting rid of these longstanding kind of gatekeepers for education systemsand saying, okay, there’s a better way. what we want to focus on is actually learningand that we don’t care about where the thing comes from that. accreditation is not so important.when it comes down to it, can someone actually do the work? can they actually accomplishtheir goals? can they actually achieve what

needs to be done, right?at the end of the day, business is to hire programmers not to be theoretical and to beprestigious but to write code. can you write code? can you write good code that can bemaintained? if you can do that, if you’re doing something that’s going to teach youto be able to do that, that’s what’s valuable. seek the things that are valuable and therest will follow, because you can have credentials and you can have all these things and thatmight get your foot in the door. when you go down to an interview or even pass that,when you actually sit down at your job and actually have to do your job, if you can’tdo it, you can’t bs that. you can’t fake that like you’ve got to actually be ableto do it and that’s what’s going to—in

the long run, that’s going to be what’simportant. focus on those things are going to be investments in the long term.anyway, good question. i'm definitely curious to see where this goes with udacity and thesenanodegrees. i’ll be following it. thanks again, paul. if you have a question, you canalways email at john@simpleprogrammer.com. as always, subscribe to the channel and you’llget more videos just like this one. take care.

web design experience certificate How to Capture Idea : Evernote App vs Hard Paper Notebook

web design certification exams

web design certification exams

in this brief chapter i’m going to showyou recommended minimum requirements of things to place inside a website - in order to makeit work. i’ll explain using 3 common types of websitesas examples. we’ll focus on ushering users through eachsite, in order to perform a certain action or complete a goal. this information relatesdirectly to the principles taught in our class called “first thing’s first: plan yourwebsite content”, where we discussed starting with goals to help shape our site content.be sure to review chapters 2 and 3 of that class. the most common type of website provides information for site visitors. the main goal of a website visitor is to get in touch. to contact thebusiness.

here are the main things to consider whencreating a site intended to provide information: when considering how many pages to include,think about the needs of the visitors. a 5-page website is a good place to start.in addition to the homepage, you could include an about page, a services page to explainwhat the business or organization provides, maybe an faq page and a contact page.if you’re just interested in a basic online presence, to show you exist and let visitorsget in touch, you may want to stick with a simple “one-pager” site, otherwise knownas “deep scroll”. this is a popular trend in web design, where instead of a traditionalmulti-page site structure the bulk of the content is broken into vertical sections onone page. this option is perfect for those

who don’t wish to provide lots of contentto the website visitors. we’ll return to “deep scroll” sites in a later video when we discuss“trends”. no matter how many pages you go with - makeit easy for website visitors to get in touch! include a phone number and address or justa contact form. if you’re looking to sell products fromyour website, check out our class on ecommerce for a look at what this involves. settingup an online store takes careful planning and preparation, which we explain in thatclass. for now, here are some basic tips for buildingwebsites from which you can sell products: provide a comfortable and familiar shoppingexperience by including common ecommerce elements

like a gallery of product images, a shoppingcart and a checkout button. it’s disorienting to shop online when you can’t find thesecommon items you expect to be there. add a section to the homepage for new arrivals,sales and other promotions. you can link these sections to dedicated pages you can add asyou need. focus on building trust for users with reviews,customer testimonials, faq pages, press, and contact forms for visitors to connect to thebusiness directly. maintain and update the content regularly.updating inventory with the latest products available and keeping all product info andother site content fresh and relevant. finally, think about future promotional efforts.don’t forget to include social media links

and a way to sign up for the newsletter, ifthere will be one. finally, there are sites offering somethingin between providing information, and selling products. these sites offer different or extra forms of interaction. for example, perhaps you wantvisitors to fill out a survey, answer questions or become members of a community.here are some design tips: for a site with a deeper user experience orlevel of interaction in mind, think about exactly what you want the website to do.then, see if you can find an app for it in the wix app market!make sure the design encourages visitors to complete your intended goal.

of course there are other types of websites.but these are the three most popular options in terms of what they do. now let’s shift our focus onto things abit more...visually stimulating? our next chapter focuses on making your site look asimpressive as possible.

web design certification exams Olivia Script : Free Script Typeface for Elegant Design Project

web design certificate san francisco

web design certificate san francisco

[natalie gabriel] public artalways has really fascinated me. i think it's really a contrastbetween being a fine art major, where you're sort of making these personal pieces,and they may go in someone's home. you may keep them. but if you're doing something publically, people that you don't even know,across all walks of life, are passing it day-to-day. [therese morgan] and the environmentreally affects people around them. if they're in a beautiful place,and they're excited, they're motivated. if there's trash everywhereand everything is run down,

then it's hard to feel that excitement. so murals really bring life to a community. [michael petricca] the mural was somethingthat we thought would highlight the move of fire engine 1to their new location over here on folsom st. we believe they'rethe best firehouse in the city. they're the busiestfirefighting station in the city, and we wanted to commemorate that moveby offering them a mural. [chris austin] the mural depictsthe past and the present of the san francisco fire department.

we've got old firehouses, old fire engines, and we also have newer enginesin the new firehouse. it's kind of the past and present combined. [danny gracia] we interactwith everybody in the community. we go out the door about40 times a day here between the three rigs, and we deal withall different types of people from all over. and for us to deal with the artists, it's great. the fact that we kind of memorializedfour of our members, taking pictures of them and thentransferring that, doing the artwork up there.

it's just super cool, and like i said,we're really excited about the whole thing. [natalie gabriel] the fire department gets to enjoy something a little more aestheticin their day-to-day workplace, and they have this mural by the end of itthat they get to keep, and sort of brighten up their day. [michael petricca] people can see firsthandhow talented our students and staff are. that they really can paint.they really can perform at a very high level. and there's a wow factor in what they do. they're well taught, they're well respected,and they can do fine art.

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